The Philosopher’s Stone of alchemy is often described as a saffron colored material ranging from yellow to orange yet many alchemical manuscripts describe that in the final stages of the creation of the philosopher’s stone the color becomes blood red. The basic colors of the great work of alchemy are usually depicted as black white yellow red. Ancient alchemy formulas also described secondary colors like the green lion of alchemy or a peacock’s tail. Once the alchemist finished making the alchemy Philosopher’s stone the saffron colored material was believed to have changed to that of a transparent, red, glass like Philosopher’s stone described as gold digested to its highest degree. The final alchemical stage in the great work of alchemy making the Philosopher’s stone was said to be wrapping the Philosopher’s stone in wax. Many alchemists believed that the Philosopher’s stone of alchemy must be wrapped in wax in order to transmute lead into gold. Article written by Steven School. Do not try this at home.
Alchemical symbolism regarding the creation of the philosopher’s stone of alchemy dry path
VITRIOL visit the interior of the earth and there by rectification find the occult lapis. The rebis or two thing depicts the alchemical hermaphrodite. A wedding of the sun and moon. Ancient alchemists such as Rhasis and Hermes (from the pyramids) used to write he who unites the male to the female draws forth the hidden virtue. Pyramid means fire in the middle. Sal non tingit is an old Latin alchemy term which meant the salt does not tinge unless it be tinged. The saffron colored material was also called the fire salt and the fire lizard among other things. The image depicts the process and ingredients of the philosopher’s stone creation in condensed alchemical symbolism. Many alchemists wrote the secret process of the magnum opus was very difficult for outsiders to figure out even if the ingredients were known. The philosopher’s stone of alchemy was said to have been wrapped in wax as the final and necessary step in the creation of the lapis philosophorum. Article written by Steven School.Click here To see The Philosopher’s Stone Book, Alchemy by Steven School. “As an Amazon Associate I earn fees from qualifying purchases”
Alchemy of Steven School. Do Not Try This At Home. Not For Consumption.
Alchemy of Steven School. Do not try this at home. Not for human consumption. Where the cold touched the hot color changed yellow/red or burnished orange like that of a crimson poppy in little “stones”. Mercury was added by drops to test. Notice the mercury is not rolling around in liquid beads but seems to have coagulated for lack of better terminology at this time, or solidified with color change like that of gold. In the writings of Michael Sendivogius he mentioned if “water” ran across a table in divergent rivulets it would become red where it touched the red powder, or white where it touched the white powder, etc. (Not Copied Word For Word But Only From Distant Memory)
Were alchemist’s able to rejuvenate with the elixir of life?
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Alchemy elixir of life was called aqua vitae, potable gold, aurum potabile, elixir of immortality, the golden soma, and other names.The legendary drink was sought after by alchemist’s for its rumored life extension or even cure all universal panacea. Alchemy of Steven School. Do not try this at home.
Here is a very interesting article that someone recently brought to my attention about sulfide minerals. One theory of mine is that perhaps nature evolves organic matter into iron pyrite over time through the natural process of “weathering” and that perhaps this system of natural evolution results in the end product of gold.
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Alchemy and the philosopher’s stone alchemical research of Steven School. Do not try this at home! This video does not constitute advice of any type nor is it intended for any specific person. No warranty is expressed or implied as to the accuracy or completeness of any information presented here. The black stage of the great work. In ancient times the great work of alchemy or the quest for the philosopher’s stone was said to have been primarily recognized by a series of color changes which was rumored to consist of both primary and secondary colors. The colors of the great work of alchemy mainly emphasized Black, White, and Red along with Caudia Pavonis or The Peacock’s Tail as the main points of focus. Secondary colors may have included citrinatas, the green lion of alchemy, and a royal purple which was apparently called “Bathed in the Purple Glory”. Ancient alchemist’s theoretically worked upon secret exotic matter or “Our Earth” by adding “Sophick Mercury” which was rumored to have been a secret water and not common elemental mercury, Whitening or “Cooking” the matter hence the phrase “alchemists burn with water, not fire” However medieval alchemy was known to have used at least four types of “fire” one of which being elemental fire.
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Alchemist’s worked in three main categories which fell into the animal, plant, and mineral kingdoms. One very basic theory of the lost or secret art was that according to the bible, when “GOD” proclaimed that all things shall multiply in like kind he included the minerals as well as the animals and the plants. Ancient alchemical writers often advised in their secret alchemical manuscripts to observe the simple ways of nature. They also spoke of the four elements which were water, earth, air, and fire. The seal of Solomon supposedly depicts the secret ancient formula of alchemy which is water and fire, two of the simple tools of nature. So theoretically speaking this might be interpreted as water and fire acting upon matter (earth) in the presence of air. Although the alchemist’s were said to have worked upon a great many things, these things basically fell into the three main categories of plant, animal or mineral. Now, moving forward in recent years a theory has emerged that sulfur may in fact be the nucleus of the gold atom. One of my theories on alchemical transmutation of lead into gold, is that perhaps lead actually is gold simply missing its sulfur element as the nucleus and also containing a few impurities. If this theory were correct then alchemists were simply trying to insert the missing element which in my opinion might be more of an amalgamation than a transmutation of metals. This sounds much simpler than atomic transmutation. Alchemists were known to have experimented with metallurgy and in writings attributed to Michael Sendivogius he advised that one study the metals and their “methods of union” which to me, suggests amalgamation as opposed to transmutation. The “philosopher’s stone” has been rumored to burn with a bright blue flame when thrown into molten metal. Some ancient alchemy writings declared that this legendary alchemical substance was actually yellow. These theories to me suggests sulfur which was mentioned in the alchemical manuscripts of Theophrastus Paracelcus as well as Michael Sendivogius and or his mentor Alexander Seton. The work of alchemy called for the holy trinity which meant salt, sulfur, and sophic mercury. Some theorists suggested that these three secret philosopher’s stone ingredients were needed while others surmised that joining the sophic mercury to the alchemical “sulfur” (The moon and the sun, or Gabritius and Beya”) would thereby produce the secret salt as a result of the hermetical wedding producing the supernatural son of the sun. Primitive metallurgy called for the purification of metals by smelting them with potash (potassium earth metal) this upon cooling would leave slag that was chipped away with a hammer to remove impurities. Alchemists were said to repeat this purification of metals until a star was seen which reminds me of the eastern star or the star of David. The symbol of purity and truth. This process was a predecessor to amalgamation since alchemists believed that “blackness” hindered fusion. If elemental sulfur is thrown into molten lead it catches on fire leaving black material (carbon) and makes a mess. With that in mind, perhaps the whole idea of alchemy was to change elemental sulfur into something else, by joining it to another element through the sophic mercury (not elemental mercury). Perhaps the secret liquid could dissolve these elements and then coagulate them through a repetition of nature’s rain cycle in the glass, theoretically into a fifth element or incombustible sulfur that would no longer be affected by fire. This is one of the reasons that Iron Pyrite or marcasite has been associated with alchemy. It is a natural mineral in which nature has joined sulfur to iron to form another element in which the qualities of the sulfur and the iron have been somewhat changed. The salt of iron, and the element of sulfur, an interesting combination according to some. Could it be an open entrance to the closed palace of the king? I get the idea that in the mineral iron pyrite, sulfur might be joining into the realm of the metals. Article written by Steven School. Do Not Try This At Home!
This article is only my opinions and does not constitute advice of any type, nor is it intended for any specific person. No warranty is expressed or implied as to the accuracy or completeness of any information presented here. The Philosopher’s Stone Book
A secret fire not wetting the hands and not burning the matter. Alchemy of Steven School. Do Not Try This At Home. For The Steven School Alchemy Website Click Here
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