Nicholas Flamel Versus Michael Sendivogius On The Dry Path Of Alchemy

Here we will compare the alchemical writings of Nicholas Flamel against those of Michael Sendivogius as if the two were doing battle in the creation of the philosopher’s stone or the transmutation powder of alchemy. YouTube Video is the work of Steven School, Alchemist. Do Not Try This At Home. Not For Human Consumption.

Let us begin this battle of the sages with alchemical writings attributed to Nicholas Flamel.

I Nicholas Flamel am seized with a desire to write out the whole magistery of the secret of the Powder of Projection, or the Philosophical Tincture, which God hath willed to impart to his very insignificant servant, and which I have found out, as thou also wilt find out in working as I shall declare unto you. . Take thou in the first place the eldest or first-born child of Saturn, not the vulgar, 9 parts; of the sabre chalibs of the God of War, 4 parts. Put this latter into a crucible, and when it comes to a melting redness, cast therein the 9 parts of Saturn, and immediately this will redden the other. Some believe they have the whole magistery, when they have the heavenly Mercury prepared; but they are grossly deceived. It is for this cause they find thorns before they pluck the rose, for want of understanding. It is true indeed, that were they to understand the weight, the regimen of the fire, and the suitable way, they would not have much to do, and could not fail even if they would. But in this art there is a way to work. Learn therefore and observe well how to operate, in the manner I am about to relate to you. Take this white or red sulphur, triturate it in a glass or marble mortar, and pour on it, in sprinking it, a third part of its weight of the Mercury from which this sulphur has been drawn. put again this mixture into an oval glass; place it in a furnace on a suitable fire. Concoct until the said Mercury is changed into sulphur, and during this coction, thou wilt see wonderful things in thy vessel, that is to say, all the colours which exist in the world, which thou canst not behold without lifting up thy heart to God in gratitude for so great a gift. When thou has attained to the purple red, thou must gather it: for then the alchymical powder is made, transmuting every metal into fine pure and neat gold, which thou maist multiply by watering it as thou hast already done, grinding it with fresh “Mercury”, concocting it in the same vessel, furnace and fire, and the time will be much shorter, and its virtue ten times stronger. This then is the whole magistery done with “Mercury” alone, which some do not believe to be true, because they are weak and stupid, and not at all able to comprehend this work. the matter will pass through all the colours, the black, the ash colour, the blue, the green, the white, the orange, and finally the red as red as blood or the crimson poppy: aim only at this last colour; for it is the true sulphur, and the alchymical powder. If thou are disposed to multiply thy powder, take one part thereof, and water it with two parts of thy animated Mercury; make it into a soft and smooth paste; put it in a vessel as thou hast already done, in the same furnace and fire, and concoct it. This second turn of the philosophic wheel will be done in less time than the first, and thy powder will have ten times more strength. Let is wheel about again even a thousand times, and as much as thou wilt. Thou wilt then have a treasure without price, superior to all there is in the world, and thou canst desire nothing more here below, for thou hast both health and riches, if thou useth them properly. Excerpts compiled from writings attributed to Nicholas Flamel and or letter to nephew. Edited by Steven School.

You must make use of the citrine “mercury” to make the imbibition of the red stone, Credit, alchemical writings attributed to the alchemist Nicholas Flamel.

sendivogius new chemical light

Sendivogius New Chemical Light  

And now, it is Michaels turn to spin thy alchemical wheel.

Our science is not a dream, as the vulgar crowd imagines, or the empty invention of idle men, as the foolish suppose, consider that this mystery is for wise men, and not for fools. Regulate the heat judiciously, until there appear colors like those of the Peacock’s Tail, and then continue to apply this well-regulated heat until the colors resolve themselves into a glorious purple followed by a final, fixed red. Excerpts from Michael Sendivogius New Chemical Light, Edited by Steven School.

“Burn the earth until it becomes sulfur incombustible” Credit, Alchemical writings attributed to Michael Sendivogius.

As concerns the “multiplier” it is the second substance, and not the first. Credit, Alchemical writings attributed to Michael Sendivogius.

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The term green lion in alchemy was also called green vitriol or our green gum, green dragon among other names. In the alchemical writings of Theophrastus Paracelsus he indicated that when alchemists were at the alchemy stage called green lion, that they were not far from the “stone”. The term VITRIOL comes from latin and basically meant visit the interior of the earth and there by rectification find the occult stone. V.I.T.R.I.O.L( vitriol) Acronym. VITRIOL is an acronym for Visita Interiora Terrae Rectificando Invenies Occultum Lapidem which translated is “Visit the interior of the earth, and by rectifification find the hidden stone (philosopher’s stone)”. The “green lion of alchemy,” is said to be a poisonous substance that appears when metal is degraded by acid.

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Alchemy and the philosopher’s stone alchemical research of Steven School. Do not try this at home! This video does not constitute advice of any type nor is it intended for any specific person. No warranty is expressed or implied as to the accuracy or completeness of any information presented here. The black stage of the great work. In ancient times the great work of alchemy or the quest for the philosopher’s stone was said to have been primarily recognized by a series of color changes which was rumored to consist of both primary and secondary colors. The colors of the great work of alchemy mainly emphasized Black, White, and Red along with Caudia Pavonis or The Peacock’s Tail as the main points of focus. Secondary colors may have included citrinatas, the green lion of alchemy, and a royal purple which was apparently called “Bathed in the Purple Glory”. Ancient alchemist’s theoretically worked upon secret exotic matter or “Our Earth” by adding “Sophick Mercury” which was rumored to have been a secret water and not common elemental mercury, Whitening or “Cooking” the matter hence the phrase “alchemists burn with water, not fire” However medieval alchemy was known to have used at least four types of “fire” one of which being elemental fire.

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Disclaimer- This video does not constitute advice of any type nor is it intended for any specific person. Do not try this at home. Not for human consumption.