This wordpress blog is about the alchemy of Steven School in words and pictures concerning the magnum opus or the great work of the sun and moon in the mineral kingdom of hermetic alchemy. For updates on Steven School Alchemy subscribe to the Steven School Alchemy YouTube Channel.
Solve et coagula takes on a deeper meaning as illumnination unfolds in the ancient hermetic science of alchemy. All obscurity flees from thee as the words of Hermes state in the emerald tablets of Thoth the Atlantean. The alchemist has flung open the gates of nature allowing for a deeper study indicate the alchemical writings of Michael Sendivogius and or his mentor Alexander Seton. Opposites unite in the white foliated earth known as Rosa Alba in the white phase of alchemy. In Nicholas Flamel’s letter to his nephew he indicated it had taken him years to figure out how to unite these two luminaries causing them to become one. A heavenly spirit manifested in an earthly body. Whiteness is the symbol of purity. Rosa Alba the White Rose of Alchemy is associated with the union of opposites, the tree of life and the white hare making the elixir of life on the moon. It is known by the moon symbol in alchemy.
What is the white Philosopher’s Stone of Alchemy?
According to some ancient or medieval alchemical texts, the philosopher’s stone came in two varieties, prepared by an almost identical method: The white philosopher’s stone was rumored to be for making silver. There was also said to be a red philosopher’s stone for the purpose of alchemy gold making,with the white philosopher’s stone being a less matured version of the red philosopher’s stone. Philosopher stones in ancient hermetic alchemy were also sometimes described as a powder, or an oil.
alchemy and the green lion: the truth of the philosophers stone book.
Alchemy and the green lion was rewritten march, 20, 2016 and republished after many inquiries pertaining to an updated version of this modern alchemical treatise since years have passed and seasons have changed as we have progressed in our life long journey towards the alchemical sun. Nature strives to perfect all things through evolution both below as well as above the earth’s crust and so it is the same with us as God set forth in his book to let all things be fruitful and multiply in like kind. Those who walk this road travel the same path and step the same stones. Alchemy is a journey, the depth and scope of which perhaps no mans knows but God alone. It is a journey of enlightenment and ascension as we awaken and begin to evolve towards perfection.
This booklet represents some of my alchemical discoveries from 4 years of hands on research and experimentation regarding alchemy and the philosophers stone, it is meant to be simple and to the point. for informational purposes only, no warranty is expressed or implied as to the accuracy or completeness of the information contained within the pages of this booklet.
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Alchemy Triple Feature Elixir of Life- Sulfur of the Sun- Philosopher’s Stone by Steven School
Alchemy has been known since ancient times and consists of three basic realms or kingdoms which are known as plant, animal and mineral. Each of these three primary areas of hermetic alchemy is said to have a basic stone associated with it. These stones are sometimes referred to as philosopher’s stones. Lapis animalis, Lapis vegetabilis and Lapis mineralis are but a few of the alchemical names that have been associated with these alchemy stones. Below the basic vegetable stone lie various herbal tinctures alchemically prepared with materials from the plant realm. The word VITRIOL is common in alchemy and seems to be associated with The term visit the interior of the earth and by rectification find the occult lapis. There however is more than one type of “earth” encountered in alchemy. As concerns the realm of the metals alchemists usually chose a metallic ore or metal specimen of some type and then worked upon it with a liquid dissolving agent of which there were three main types. In ancient alchemy as depicted in the actum leyden letter and some writings attributed to the alchemist Friederich Gualdus, a seawater menstuum is alluded to involving water from the sea processed in different ways for purification and strength, sometimes modified by adding sea salt to vinegar and this was supposed to resolve metals back into their first matter and theoretically make them start growing again as living crystals. Vinegar later became the focus of metal acetate paths in alchemy which eventually gave way to acids. Acid and metal to burn off impurities, dissolve and coagulate into something called vitriol. These coincide with the seven planetary metals in alchemy which after being alchemically processed might be reduced into “stones” called vitriol. Alchemy gemstones hypothically speaking could have been based on such things as carbon, silica, and even vitriol made from metals or minerals. Alchemists were rumored to have an alkahest or universal dissolving agent to assist this process with the old axiom “solve et coagula” or dissolve and coagulate.
Crystal Growing Experiments With Alchemy
real alchemy book
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Alchemist’s worked in three main categories which fell into the animal, plant, and mineral kingdoms. One very basic theory of the lost or secret art was that according to the bible, when “GOD” proclaimed that all things shall multiply in like kind he included the minerals as well as the animals and the plants. Ancient alchemical writers often advised in their secret alchemical manuscripts to observe the simple ways of nature. They also spoke of the four elements which were water, earth, air, and fire. The seal of Solomon supposedly depicts the secret ancient formula of alchemy which is water and fire, two of the simple tools of nature. So theoretically speaking this might be interpreted as water and fire acting upon matter (earth) in the presence of air. Although the alchemist’s were said to have worked upon a great many things, these things basically fell into the three main categories of plant, animal or mineral. Now, moving forward in recent years a theory has emerged that sulfur may in fact be the nucleus of the gold atom. One of my theories on alchemical transmutation of lead into gold, is that perhaps lead actually is gold simply missing its sulfur element as the nucleus and also containing a few impurities. If this theory were correct then alchemists were simply trying to insert the missing element which in my opinion might be more of an amalgamation than a transmutation of metals. This sounds much simpler than atomic transmutation. Alchemists were known to have experimented with metallurgy and in writings attributed to Michael Sendivogius he advised that one study the metals and their “methods of union” which to me, suggests amalgamation as opposed to transmutation. The “philosopher’s stone” has been rumored to burn with a bright blue flame when thrown into molten metal. Some ancient alchemy writings declared that this legendary alchemical substance was actually yellow. These theories to me suggests sulfur which was mentioned in the alchemical manuscripts of Theophrastus Paracelcus as well as Michael Sendivogius and or his mentor Alexander Seton. The work of alchemy called for the holy trinity which meant salt, sulfur, and sophic mercury. Some theorists suggested that these three secret philosopher’s stone ingredients were needed while others surmised that joining the sophic mercury to the alchemical “sulfur” (The moon and the sun, or Gabritius and Beya”) would thereby produce the secret salt as a result of the hermetical wedding producing the supernatural son of the sun. Primitive metallurgy called for the purification of metals by smelting them with potash (potassium earth metal) this upon cooling would leave slag that was chipped away with a hammer to remove impurities. Alchemists were said to repeat this purification of metals until a star was seen which reminds me of the eastern star or the star of David. The symbol of purity and truth. This process was a predecessor to amalgamation since alchemists believed that “blackness” hindered fusion. If elemental sulfur is thrown into molten lead it catches on fire leaving black material (carbon) and makes a mess. With that in mind, perhaps the whole idea of alchemy was to change elemental sulfur into something else, by joining it to another element through the sophic mercury (not elemental mercury). Perhaps the secret liquid could dissolve these elements and then coagulate them through a repetition of nature’s rain cycle in the glass, theoretically into a fifth element or incombustible sulfur that would no longer be affected by fire. This is one of the reasons that Iron Pyrite or marcasite has been associated with alchemy. It is a natural mineral in which nature has joined sulfur to iron to form another element in which the qualities of the sulfur and the iron have been somewhat changed. The salt of iron, and the element of sulfur, an interesting combination according to some. Could it be an open entrance to the closed palace of the king? I get the idea that in the mineral iron pyrite, sulfur might be joining into the realm of the metals. Article written by Steven School. Do Not Try This At Home!
This article is only my opinions and does not constitute advice of any type, nor is it intended for any specific person. No warranty is expressed or implied as to the accuracy or completeness of any information presented here. The Philosopher’s Stone Book